Our guide to dance performances happening this weekend and in the week ahead.
In the Central Valley in California, high school students gathered for Danzantes del Valle: High School Show Offs, an annual event defined by passion and …
Mr. Brooks’s underwhelming new dance, “Prelude,” at the Joyce Theater, focuses on backwardness or reversal.
Watch Bria Bacon of the Stephen Petronio Company dance part of a virtuosic, difficult solo from Merce Cunningham’s “Signals.”
The opener is to feature 250 young people and the festival lineup includes youth orchestras, as well as stars like Christine Goerke and a work …
Jody Oberfelder’s production of “Zaubernacht” is the first in New York since 1925. The world has changed a lot since then; so has the work’s …
In an East-meets-West Cold War tale, Magda Saleh danced “Giselle” with the Bolshoi and at home in Cairo, where calling a woman a dancer was …
The works, co-commissions with the Vail Dance Festival, include a piece d’occasion for the spring gala, a dance for Vail and a fall season work.
Amid the excessive production values that make too much modern flamenco look synthetic, Jesús Carmona shows sunniness along with bravura.
“Concertiana,” Mr. Taylor’s 147th work, received a premiere along with “The Beauty in Gray” by Bryan Arias and “Half Life” by Doug Varone.
BalletX presents full-bodied and engaging new ballets, while Pennsylvania Ballet offers a superficial “Swan Lake.”
Five standout Taylor dancers talk about their careers in the company and working for a modern master who is still making dances at 87.
Yve Laris Cohen’s piece, honoring Painting Space 122, is a conversation between painting and performance.
Whether in ‚ÄúDance in America‚Äù or ‚ÄúDirty Dancing,‚Äù Mr. Bhargava’s eye and sense of musicality were highly prized in translating dance to film.
Two new works by the choreographers Marjani Fort√©-Saunders and Gillian Walsh make dramatic use of the Manhattan spaces in which they are performed.
Even dances with no obvious agenda have seemed like quiet protests recently. How are choreographers thinking about their work?
Our guide to dance performances.
Eiko Otake performs ‚ÄúA Body in Places,‚Äù a shifting solo work related to the nuclear disaster in Fukushima
Big Dance Theater’s animated investigation of Samuel Pepys reads like a refraction of our recent monster parade.
Yvonne Meier turned ordinary objects (tomatoes, Band-Aids) into tools for artistic expression; Jillian Sweeney engaged with memory and storytelling.
Ms. Walsh, whose recent works involve minimal movement, talks about transcendence, seeing time, ‚ÄúDance Moms‚Äù and what audiences want.
Among the highlights of the winter-spring season is a production of ‚ÄúLong Day’s Journey Into Night‚Äù starring Lesley Manville and Jeremy Irons.
Inspired by Jacob Lawrence’s paintings, Step Afrika’s show has resilient vitality but not the propulsive force that drives Lawrence’s storytelling.
Taylor Leier is in his first full season in the N.H.L. while his brother, Keaton, is in his first year in the company of the …
Hofesh Shechter’s ‚ÄúGrand Finale‚Äù is attention-grabbing, but soon becomes an array of mere effects.
A London celebration provided a chance to think about MacMillan’s reputation and legacy 25 years after his death.
Hamed Sinno, lead singer of the band Mashrou’ Leila, is teaching a class at New York University on the intersection of music and politics.
Our guide to dance performances.
A class became a larger learning experience when Ms. Copeland and Carmen de Lavallade talked about breaking down barriers for black dancers.
The Marching Cobras, a Harlem after-school drumline and dance team, look at marching as an act of cultural expression and political resistance.