“Concertiana,” Mr. Taylor’s 147th work, received a premiere along with “The Beauty in Gray” by Bryan Arias and “Half Life” by Doug Varone.
Read moreCritic’s Notebook: In Philadelphia, Ballet Neighbors Divided by Style
BalletX presents full-bodied and engaging new ballets, while Pennsylvania Ballet offers a superficial “Swan Lake.”
Read moreGet to Know the Colors on Paul Taylor’s Palette
Five standout Taylor dancers talk about their careers in the company and working for a modern master who is still making dances at 87.
Read moreReview: In ‘P.S. 122,’ Watching the Painters Paint and Scrape
Yve Laris Cohen’s piece, honoring Painting Space 122, is a conversation between painting and performance.
Read moreGirish Bhargava, Film Editor Who Captured Dance, Dies at 76
Whether in ‚ÄúDance in America‚Äù or ‚ÄúDirty Dancing,‚Äù Mr. Bhargava’s eye and sense of musicality were highly prized in translating dance to film.
Read moreCritic’s Notebook: East Side, West Side: Lighting the Way, Darkly
Two new works by the choreographers Marjani Forté-Saunders and Gillian Walsh make dramatic use of the Manhattan spaces in which they are performed.
Read moreMaking (and Seeing) Dance in the Politicized World
Even dances with no obvious agenda have seemed like quiet protests recently. How are choreographers thinking about their work?
Read moreDance in NYC This Week
Our guide to dance performances.
Read more#SpeakingInDance: Eiko: Waking Herself Up
Eiko Otake performs “A Body in Places,” a shifting solo work related to the nuclear disaster in Fukushima
Read moreReview: Good Art, Bad Men and Samuel Pepys in ‘17c’
Big Dance Theater’s animated investigation of Samuel Pepys reads like a refraction of our recent monster parade.
Read moreCritic’s Notebook: When the Body Is a Canvas, Accented With Paint or Peanuts
Yvonne Meier turned ordinary objects (tomatoes, Band-Aids) into tools for artistic expression; Jillian Sweeney engaged with memory and storytelling.
Read moreGillian Walsh, Taking Dance to a Still Place
Ms. Walsh, whose recent works involve minimal movement, talks about transcendence, seeing time, “Dance Moms” and what audiences want.
Read moreEugene O’Neill and Meredith Monk, in BAM’s New Season
Among the highlights of the winter-spring season is a production of ‚ÄúLong Day’s Journey Into Night‚Äù starring Lesley Manville and Jeremy Irons.
Read moreReview: Finding the Beat and Pulse of the Great Migration
Inspired by Jacob Lawrence’s paintings, Step Afrika’s show has resilient vitality but not the propulsive force that drives Lawrence’s storytelling.
Read moreWhen He Needs Advice, a Philadelphia Flyer Turns to His Brother the Dancer
Taylor Leier is in his first full season in the N.H.L. while his brother, Keaton, is in his first year in the company of the
Read moreReview: Doom, Doom Everywhere (and Just a Drop of Joy)
Hofesh Shechter’s ‚ÄúGrand Finale‚Äù is attention-grabbing, but soon becomes an array of mere effects.
Read moreKenneth MacMillan’s School of Ballet Sex, Neurosis and Grit
A London celebration provided a chance to think about MacMillan’s reputation and legacy 25 years after his death.
Read moreEncounters: A Lebanese Rocker Caught in a Human Rights Incident Over Rainbow Flags
Hamed Sinno, lead singer of the band Mashrou’ Leila, is teaching a class at New York University on the intersection of music and politics.
Read moreDance in NYC This Week
Our guide to dance performances.
Read moreFrom Misty Copeland: Adjustments, Tips and Inspiration
A class became a larger learning experience when Ms. Copeland and Carmen de Lavallade talked about breaking down barriers for black dancers.
Read more#SpeakingInDance: Mobilizing the Drumline
The Marching Cobras, a Harlem after-school drumline and dance team, look at marching as an act of cultural expression and political resistance.
Read moreDavid Hallberg’s Tell All (About His Own Psyche)
Mr. Hallberg, the American Ballet Theater principal and paragon of classical style, has a new memoir about life, dancing and returning from an injury.
Read moreReview: When La Catrina Met Giselle
The Calpulli company’s ‚ÄúDia de los Muertos‚Äù takes Mexican folklore and folk dance and crosses them with French ballet.
Read moreJune 2016 edition
We look forward to a summer of dance this month, from The Australian Ballet – with our cover star Leanne Stojmenov – at the London
Read moreBolshoi new season
The Bolshoi Ballet’s 2016 to 17 season will include a celebration of Yuri Grigorivich and plans for a new ballet about Rudolf Nureyev. Provisionally titled
Read moreNew Casanova for Northern Ballet
Northern Ballet has announced a new ballet about the 18th century’s most notorious lover, Giacomo Casanova. Kenneth Tindall’s new production will have its premiere in
Read moreMay 2016 issue
There are two strands running through the May issue: the Blackpool Dance Festival and an exploration of horror in dance. We speak to a host
Read moreAn American in Paris in London
Christopher Wheeldon’s production of An American in Paris is coming to London’s West End, with performances at the Dominion Theatre from spring 2017. Inspired by
Read more