Space Dance

“Concertiana,” Mr. Taylor’s 147th work, received a premiere along with “The Beauty in Gray” by Bryan Arias and “Half Life” by Doug Varone.      

BalletX presents full-bodied and engaging new ballets, while Pennsylvania Ballet offers a superficial “Swan Lake.”      

Five standout Taylor dancers talk about their careers in the company and working for a modern master who is still making dances at 87.      

Yve Laris Cohen’s piece, honoring Painting Space 122, is a conversation between painting and performance.      

Whether in ‚ÄúDance in America‚Äù or ‚ÄúDirty Dancing,‚Äù Mr. Bhargava’s eye and sense of musicality were highly prized in translating dance to film.      

Two new works by the choreographers Marjani Fort√©-Saunders and Gillian Walsh make dramatic use of the Manhattan spaces in which they are performed.      

Even dances with no obvious agenda have seemed like quiet protests recently. How are choreographers thinking about their work?      

Our guide to dance performances.      

Eiko Otake performs ‚ÄúA Body in Places,‚Äù a shifting solo work related to the nuclear disaster in Fukushima      

Big Dance Theater’s animated investigation of Samuel Pepys reads like a refraction of our recent monster parade.      

Yvonne Meier turned ordinary objects (tomatoes, Band-Aids) into tools for artistic expression; Jillian Sweeney engaged with memory and storytelling.      

Ms. Walsh, whose recent works involve minimal movement, talks about transcendence, seeing time, ‚ÄúDance Moms‚Äù and what audiences want.      

Among the highlights of the winter-spring season is a production of ‚ÄúLong Day’s Journey Into Night‚Äù starring Lesley Manville and Jeremy Irons.      

Inspired by Jacob Lawrence’s paintings, Step Afrika’s show has resilient vitality but not the propulsive force that drives Lawrence’s storytelling.      

Taylor Leier is in his first full season in the N.H.L. while his brother, Keaton, is in his first year in the company of the

Hofesh Shechter’s ‚ÄúGrand Finale‚Äù is attention-grabbing, but soon becomes an array of mere effects.      

A London celebration provided a chance to think about MacMillan’s reputation and legacy 25 years after his death.      

Hamed Sinno, lead singer of the band Mashrou’ Leila, is teaching a class at New York University on the intersection of music and politics.      

Our guide to dance performances.      

A class became a larger learning experience when Ms. Copeland and Carmen de Lavallade talked about breaking down barriers for black dancers.      

The Marching Cobras, a Harlem after-school drumline and dance team, look at marching as an act of cultural expression and political resistance.      

Mr. Hallberg, the American Ballet Theater principal and paragon of classical style, has a new memoir about life, dancing and returning from an injury.      

The Calpulli company’s ‚ÄúDia de los Muertos‚Äù takes Mexican folklore and folk dance and crosses them with French ballet.      

We look forward to a summer of dance this month, from The Australian Ballet – with our cover star Leanne Stojmenov – at the London

The Bolshoi Ballet’s 2016 to 17 season will include a celebration of Yuri Grigorivich and plans for a new ballet about Rudolf Nureyev. Provisionally titled

Northern Ballet has announced a new ballet about the 18th century’s most notorious lover, Giacomo Casanova. Kenneth Tindall’s new production will have its premiere in

There are two strands running through the May issue: the Blackpool Dance Festival and an exploration of horror in dance. We speak to a host

Christopher Wheeldon’s production of An American in Paris is coming to London’s West End, with performances at the Dominion Theatre from spring 2017. Inspired by