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In her first spring as a soloist at American Ballet Theater, Catherine Hurlin is tearing through roles with effervescent daring.      

The cultural offerings are varied and vast, from ‘Toy Story 4′ in movie theaters to numerous ways to celebrate the first day of summer and

A response to Harlem’s changing landscape, this marathon performance piece travels from one end of the street to the other.      

“A Strange Loop,” “Stonewall” and, of course, “The Cher Show” are among the offerings onstage now.      

Our guide to dance performances happening this weekend and in the week ahead.      

William Forsythe’s style, where every limb is stretched and torqued, is more easily imitated than replicated.      

The troupe of mime-acrobats, presenting two programs after a five-year absence, feels like what it is: a late-generation copy.      

There’s something for everyone, from classical music in the park to Alvin Ailey at Lincoln Center and four must-not-miss art shows spotlighting women.      

Our guide to dance performances happening this weekend and in the week ahead.      

Darrell Grand Moultrie’s “Ounce of Faith” is like the essay of a good student who has carefully studied better works in the Ailey repertory.      

Among the highlights of the 2019-20 season are collaborations between Ayodele Casel and Arturo O’Farrill, and Pam Tanowitz and Simone Dinnerstein.      

Is the heroine of Kenneth MacMillan’s ballet an active agent in her own rise? Or a projection of self-deceiving masculine desire?      

Raja Feather Kelly, who has left his mark on several Off Broadway shows, specializes in what he calls “virtuosic behavior.”      

Performances at the Orchestra of St. Luke’s Bach Festival include works by the choreographers Pam Tanowitz and Margie Gillis.      

Our guide to dance performances happening this weekend and in the week ahead.      

The company enters a new phase with a new leader — and the loss of some of its best-known dancers.      

Cathy Marston’s telling, at American Ballet Theater, takes an admirable feminist stance, but is undone by monotonous choreography.      

In 2009, three unknown adolescent boys were the toast of Broadway in the musical’s title role. Where have they been? And where are they going?      

Cathy Marston, known for ambitious narrative works, brings her adaptation of Brontë’s novel to American Ballet Theater.      

New York City Center has unveiled its 2019-20 season. Here are the highlights.      

Mr. Polunin provided his fans with a tepid hour of emoting and flailing in the title role.      

A look at company standouts as the spring season draws to a close with Balanchine’s “A Midsummer Night’s Dream.”      

Wouldn’t it be nice if we could have the order of ballet and the freedom of rock? That’s the dream of “Deuce Coupe,” new to

Standard or (worse yet) slight fare gets nominated for best choreography while quality work — “Oklahoma!,” “The Prom” — goes unrecognized. An exception: Camille A.

Anthony Huxley takes on the role of the King of the Faeries in George Balanchine’s “A Midsummer Night’s Dream.”